From the rich literary account of this ascent, we need to take away just one idea: Love stories, however inadequate as theories of love, are nonetheless stories, logoi, items that admit of Diotoma on love. At this stage, what the boy engages in the lover is his sexual desire for physical beauty, albeit one which, in firm keeping with the norms of Athenian paiderastia, is supposedly aim-inhibited: But the deformed is always unharmonious with the divine, and the beautiful harmonious.
What is intended to insure that they will not is their openness to reality—an openness guaranteed by the fact that in the course of his ascent the lover must study the beauty of ways of life and laws c3—5 and the beauty of the sciences c6—7.
Like Agathon, this younger Socrates is supposed to be around thirty years old. Imagine seeing Socrates without his ironic mask of mock modesty. And as his parentage is, so also are his fortunes.
Rowemodified. That he has never turned away is made yet more vivid in one of the most intriguing passages in the Symposium.
She said to me: This lesson can be divided into three points: In her view, love is a means of ascent to contemplation of the Divine.
Being neither mortal nor immortal, Love may shoot into life one day only to die the next and then return to life the following day. And now, taking my leave of you, I would rehearse a tale of love which I heard from Diotima of Mantineia, a woman wise in this and in many other kinds of knowledge, who in the days of old, when the Athenians offered sacrifice before the coming of the plague, delayed the disease ten years.
Those who are pregnant in mind bring forth not bodies, but wisdom and other virtues. Who would not emulate them in the creation of children such as theirs, which have preserved their memory and given them everlasting glory? Love is also a great lover of wisdom. Nonetheless, the falling itself involves a huge psychological upheaval.
If he who loves good, what is it then that he loves? And that means that psychological resources within the lover—beyond his sexual responsiveness to physical beauty—are coming into play. Love falls between ignorance and wisdom because his father, Resource, is both wise and resourceful, while his mother, Poverty, is neither.
Homosexual lovers, however, are a different story. Since gaining access to forms nourishes and strengthens the rational element in the soul b5-c2this also helps determine their motivational structure: And he who in youth has the seed of these implanted in him and is himself inspired, when he comes to maturity desires to beget and generate.
By characterizing this audience dramatically and stylistically, he shows with which characters and beliefs the dialectician is going to compromise.
It fits particularly the theory of reminiscence Phaedr. The Art and Psychology of Love Explained In the Phaedrus we find a more detailed account of the psychology and art of love than in the Symposium. Symposion, Akademie Verlag, Berlin. The character of Socrates may be used by Plato as the character of Diotima is used by Socrates: Neither do the ignorant seek after Wisdom.
This account will be our exclusive focus.Plato discusses love (erôs) and friendship (philia) The credibility of Diotima’s love story is another matter, of course.
To many, it has seemed both incredible and distasteful, because it seems to say that beautiful individuals have only instrumental value. When one has climbed the ladder, of which they are merely the first rung, one.
This repository will collect all the material created by members of the Digital Classics Club hosted at Tufts during the Springsemester - ChiaraPalladino/TuftsDCC. After hearing Agathon's views of love, Socrates relates his theory of love through a speech that was given to him by Diotima.
In contrast to Agathon's view, which stated that love is for that of the young and the beautiful, Socrates gives a better understanding that is more of an evolutionary process/5(3).
The Role of Diotima in Plato’s “Symposium”: the Dialogue and its Double. Thus, if a student wants to draw any knowledge of love from a theoretical description similar to that of Diotima, he or she must know love primarily in an empirical way: he or she must be in love with the knowledge of love.
Sorcerer Love: A Reading of Plato's Symposium, Diotima's Speech LUCE IRIGARAY Translated by Eleanor H. Kuykendall "Sorcerer Love" is the name that Luce Irigaray gives to the demonic function of.
Diotima spells out the stages in this ascent in terms of what sort of beautiful thing the lover desires and is drawn toward.
A particular beautiful body. This is the starting point, when love, which by definition is a desire for something we don’t have, is.Download